“The mystery of divine creativity is, of course, ultimately unknowable. The Genesis narrative does not seek to make intelligible what is beyond human ken. To draw upon human language to explain that which is outside any model of human experience is inevitably to confront the inescapable limitations of any attempt to give verbal expression to this subject. For this reason alone, the narrative in its external form must reflect the time and place of its composition. Thus it directs us to take account of the characteristic modes of literary expression current in ancient Israel. It forces us to realize that a literalistic approach to the text must inevitably confuse idiom with idea, symbol with reality. The result would be to obscure the enduring meaning of that text.
The biblical Creation narrative is a document of faith. It is a quest for meaning and a statement of a religious position. It enunciates the fundamental postulates of the religion of Israel, the central ideas and concepts that animate the whole of biblical literature. Its quintessential teaching is that the universe is wholly the purposeful product of divine intelligence, that is, of the one self-sufficient, self-existing God, who is a transcendent Being outside of nature and who is sovereign over space and time.”
Sarna, N. M. (1989). Genesis (pp. 2–4). Philadelphia: Jewish Publication Society.
